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The sound composition, Tactile Air 1,
combines sonic booms from the Sonic Boom Archive project
with captured audio streams from the early days of the conflict
in Iraq in March of 2003. This provided a sonic
overlay to SIMPARCH's stealth bomber shaped drop ceiling
installation.
Physically, Tactile Air is integrated into the
installation as eight ceiling-mounted speakers and four subwoofers.
Representing a distillation of the "shock
and awe" phase
of the war, the composition combines recordings from a CBS
News webcam that had been mounted on a balcony of the Palestine
Hotel in Baghdad. This aspect of the piece included pre-bombing
sounds of Baghdad traffic and calls to prayer with air-raid
sirens and explosions, as well as post-bombing sounds of
generators, sporadic gunfire, and direct-feed, candid reporter
banter, unintended for broadcast. Occasional distant sonic
booms from the comparatively calm skies of Southern California
provide a reminder of our own militarized airspace in America.
In addition, a live feature of this installation
consisted of Google news emails triggered by keywords (bomb,
Iraq, terror). The automated delivery of these emails produced
brief audio samples (bomb explosions, sonic booms, calls
to prayer) that would interrupt the composed audio with real-time
events from the war/media space outside of the museum walls.
During the six-month installation of Gloom and Doom 1, more
than 3,000 news alert sounds were triggered, without the
direct intervention of the artist. More
at the CAC.
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These recordings have been exhibited publicly as part of
two collaborative installations with SIMPARCH:
"Gloom and Doom 2," as a 60
minute sound composition entitled "Tactile
Air 2"
"Gloom and Doom 1," as a 10 minute sound composition entitled "Tactile
Air 1"
Updated on June 2007: The recording phase of this project
is ongoing, and a playback of recent booms is being exhibited
indefinitely at the CLUI Desert Research Station in the newly
constructed "Sonic
Boom Containment Vessel".
Return to the main project page.
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